Ticketing & tiers
Early bird, first and second release, VIP and packages with caps, release times and your own booking fee.
Concert promoters: your tickets, your fans, your data. Sell out, sort out.
The ticketing platform keeps the booking fees and the fan list. Early bird tiers get rolled over by hand at midnight. The door scanner app drops out when the room fills up and settlement night ends with a calculator and a spreadsheet nobody trusts. We build ticketing, presale, door and settlement systems for concert promoters. Then we host them and look after them.
Promoting shows means betting your own money on a room filling up. You build an audience one show at a time, but the platform selling the tickets ends up owning the relationship. You get a CSV export if you're lucky. Meanwhile the deal sheet lives in an email thread, the run sheet in a Google Doc and the marketing spend in somebody's head. When the tour hits five cities the whole thing is held together by group chats.
Wollopit builds custom concert ticketing and promoter software around how you actually run shows. Tiers that roll over on their own, presales for your mailing list, fast QR scanning at the door and settlement reports that do the deal maths for you. Every buyer lands in a fan database you own. We connect the tools you already like, replace the ones costing you money and look after the lot on our own servers, so you can get back to booking acts.
What we hear from concert promoters
Most promoters we talk to are brilliant at finding acts and filling rooms. The back office is a mix of platform dashboards, spreadsheets and late nights after the encore.
Solutions
Pick the one that's hurting most or join the whole lot up. Everything is built around how your team works, not the other way round.
Early bird, first and second release, VIP and packages with caps, release times and your own booking fee.
Mailing list, fan club and partner presales with unique codes, time windows and allocations.
Every buyer kept and tagged by city, genre and shows attended. Yours to keep and yours to email.
QR scanning on any phone, works offline, multiple doors synced and live entry counts.
Allocations for artists, venues, media and winners, with plus ones and check-in at the door.
Door deals, versus deals, guarantees and costs calculated per show, ready to send to artists and venues.
Every date on one board with venue, capacity, deal, support acts, sales and status.
Set times, riders, hospitality, stage plots, travel and accommodation shared with acts and venues.
On-sale emails and SMS to the right cities, tracked links, promo codes and ad spend per show.
Fans transfer tickets or resell at face value through your system instead of scalper sites.
Move a show, reissue tickets and handle refunds in bulk with one message to every buyer.
Merch bundles, parking, cloakroom and VIP upgrades sold with the ticket and collected at the door.
Hand-built, quick on mobile, with your gig guide, artist pages and on-sale countdowns, built to rank for local gigs.
The big ones
These are the systems promoters ask us about most. Each one works on its own and they get properly clever when they're joined up.
Ticketing & tiers
Sell tickets on your own website with tiers that roll over by themselves the moment a cap is hit or a release time passes. Payments go straight through Stripe or Square and you decide what the booking fee is.
Presales & fan database
Every buyer lands in a fan database you own, tagged by city, genre and shows they've been to. Announce a tour and send presale codes to exactly the right people before general public opens.
Door scanning & guest list
A scanning app that runs on any phone and keeps working when the venue wifi gives up. Guest lists sit in the same app so comps, plus ones and media all get through the same door without a clipboard.
Settlements
Set the deal up once: door split, versus deal, guarantee, venue hire and production costs. Ticket sales, comps and expenses flow in on their own so the settlement report is ready when the last song finishes.
Tours & advancing
Every date on the tour lives in one place with its venue, capacity, deal, sales pace and paperwork. Acts and venues get an advancing portal so riders, set times and stage plots stop disappearing into email threads.
Before and after
Here's how announcing a tour could change. Every promoter runs things differently, so we map yours first.
Everything under one roof
Whether you're starting fresh or upgrading what you've got, it's one team from the first sketch to the support call.
Built around how your concert promotion business actually runs: ticketing & tiers, presales & codes and the admin in between, in one system you own.
Fast, hand-built websites that rank for the searches your customers make and turn visits into enquiries, bookings or orders.
Running on spreadsheets, old software or a platform you've outgrown? We move your data across and upgrade in stages so the business never stops.
Fan database and door scanning app: customer and staff portals that work on any phone without an app store.
We connect Stripe, Square and Xero so information moves on its own and nobody retypes it.
Managed hosting, updates, backups and security for your concert promotion business, looked after by the people who built it.
Connections
We connect to the tools you rely on, work alongside ticketing platforms where a venue or deal requires them or replace the ones costing you money.
The process
We get properly below the surface of your concert promotion business: the systems, the busy days and the jobs everyone hates. Then we fix the bits that matter most first.
We sit in on an on-sale, a door and a settlement, then work out where the fees, the time and the fan data are leaking.
We plan it before writing code: your tiers, presales, fan data, door setup, deal types, tours, hosting and cost.
Real engineering, shown to you early and often. Usually the most painful bit first, so you get a win before your next announcement.
We host it, maintain it and keep it fast on on-sale morning. When something breaks you call the people who built it.
FAQ
Something else on your mind? Ring 0423 011 252 and ask the people who'd build it.
Yes. Presale codes can go to your list before general sale, unique per fan or limited-use, with their own windows and caps so they can't be passed around.
Yes. We build for on-sale spikes with queues and hard caps so it doesn't fall over or oversell. We watch it on the big mornings too.
Yes. Every buyer goes into a fan database you own, with consent handled properly, so you can tell them about the next show in their city.
Yes. It keeps scanning offline and syncs when the connection comes back, with duplicate alerts across every door.
No. Where a venue deal requires Ticketek, Moshtix, Oztix or another platform, we pull those sales into your tour board and settlements. You sell on your own system wherever you can.
Yes. Set up door splits, versus deals, guarantees and costs once per show and the settlement report builds itself from real sales and expenses.
It depends on what you need, so we quote up front once we understand it. No surprise invoices, no lock-in and you own what we build.
Smaller jobs like a door scanning app or a fan database can be quick. Bigger systems are planned in stages so you get the first win early instead of waiting for everything at once.
We do. We host it on our own managed servers and keep it updated and secure. When you need something you ring the people who built it.
Usually, yes. Most concert promoters we work with keep what's working and upgrade the rest in stages. We move your data across, connect the old and new while we switch and retire the old system only when the new one is proven.
Contact
Tell us what's slow, broken, manual or missing. You don't need a spec, just describe what's going on.